Episodes #1 – #10 Episodes #11 – #20 Episodes #20 – #30
Duga nota (The Long Note) is a radio show aired every fourth Saturday from 10 to 12 PM at the Yammat.fm radio station in Zagreb, Croatia. The show is actually a musical rendition of the manuscript for the book Duga nota (The Long Note) I’ve written during 2018 and 2019, to be published in 2020. Every episode is a loose interpretation of the content of a single chapter in the book.
Below are the links to all of the Duga nota episodes aired at the Yammat.fm radio thus far. Yammat.fm uploads the shows to their channel at the MixCloud platform where they are directly searchable under its name (Duga nota) or by my own name (Mladen Vukmir DUGA NOTA). Other information regarding the project (either the book, or the radio show) can be found at the FB page Duga nota. I also post the playslists for each of the episodes as text in the comments to its MixCloud uploads.
I will be adding the links here below as the shows are made available by the radio station. I will be accompanying each link below with a link to the Apple music playlist I create in the preparations for each episode. For some of the shows there will be significantly more tracks in the playlist than aired so you can explore and enjoy more music. Those bonus tracks are the songs I have considered in preparing the shows, but could not be squeezed into the two hour format.
I will be also posting the summaries that I prepare for each episode as it is posted on the Stražarni lopov blog. The summaries are also partially available in the MixCloud descriptions posted by the radio station. This blog post is intended to reach to the English speaking listeners, so all the summaries are translated into English. If your intuition tells you that there might be second meanings and hidden clues in the way I have selected and juctaposed the music for the shows, then there probably are! Indeed, I do play not only with my own memories and toss the associations between the musicians, songs and the times in which they were created, I actually do! However, not all of those combinations are mentioned explicitly, nor do I lay out the clues for you in all of the instances. Indeed, I actively seek links and coincidences, overlapping influences and other mysterious, almost holographic occurences between the songs we listen to in the show. Therefore, please go and seek the hidden flows which might even further enhance your enjoying all of the music in the show.
If your intuition tells you that there might be second meanings and hidden clues in the way I have selected and juctaposed the music for the shows, then there probably are! Indeed, I do play not only with my own memories and toss the associations between the musicians, songs and the times in which they were created, I actually do! However, not all of those combinations are mentioned explicitly, nor do I lay out the clues for you in all of the instances. Indeed, I actively seek links and coincidences, overlapping influences and other mysterious, almost holographic occurences between the songs we listen to in the show. Therefore, please go and seek the hidden flows which might even further enhance your enjoying all of the music in the s how.
Finally, although the radio show is conducted in Croatian language, Duga nota is first and foremost a music program and music dominates spoken segments by far. Only segments from the book read by Robert Šantek, Dubravk Bratoljić and Antonija Vrčić can be linger more then couple of minutes. I therefore trust that all of you can enjoy it as it is played, regardless of the language. An American friend, keen on music, said after listening to the show: Mladen – Speaking honestly, that’s one of the best rock and roll radio programs I’ve ever heard – truly great selection of tunes – really wide range of stuff. Now if I only could understand Croatian.
You have heard the opening jingle of the show: Duga nota! Glazba kojom smo mijenjali sebe i pokrenuli promjenu koja traje. Kako smo postali duga, ostali mladi i druge priče. Duga nota; autor i voditelj Mladen Vukmir. Samo na 102 sve 5! and might wander what it all means? It is a poetic abbreviation of the book’s concept and it roughly translates as: Long note! Music by which we have transformed ourselves and have started a lasting change. How did we become a rainbow (in Croatian language the word for long and for rainbow are written the same, allowing for this wordplay), remained young, and other stories. Long note: author and host Mladen Vukmir. Exclusively at one-o-two all five (instead of point five, as all five is a Croatian slang for OK)!
Here are the MixCloud links to the previous episodes #1 – #10 of the show:
Episode 13 Patchouli: Duga Nota is back! The show is back on the radio waves to recreate the feeling that hit you the first time you were ever touched by rock music! Even better, who hasn’t listened to rock when it was the main thing on the planet, listening to the Duga Nota show nowadays can help to figure out what it was all about.
In the episode #13, dedicated to a chapter of the book called Patchouli, we look at how young people who grew up under the shadow of an atomic explosion mushroom turned their fears and anxieties into hope and sensitivity.
The most numerous generation of kids in history, by exploring consciousness and social relationships, sought to build new relationships in which fun and deep meaning, self-immersion and dance, as in a kaleidoscope, evoked new, colorful rearrangements of existing reality.Can the fear of nuclear war and the fear of a pandemic be compared? Listen in this episode how have music they made and changing consciousness offered kids new relationships to societies that they have outgrown.
The music we play in the Patchouli episode originated mostly in the second half of the sixties and the first years of the seventies, it is full of feelings, in incessant search for beauty and striving to build hope. Enjoy, it’s the strongest dose of the 2020 vaccine you’ll find.
Episode 12 Alone, Jimi and I (Sam, Jimi i ja): A night at the disco. Full of desire and trepidation kids gather to meet each other in a cavernous basement, seeking a kindred soul, hot lips and a wet mouth to kiss. Staying late, all dripping sweat from dancing, as there was always more of those who did not find a boyfriend or a girlfriend on any given night, then those who did, they soaked their desire in beer and music. Smoking pot in the corner and dancing freely, expressing their desire and their will to change the world. Such was a disco club in the heart of town, in Zagreb back in 1975 and 1976 where my teenage self used to hang out night after night making new friends, meeting old and looking for girlfriends. On the lower floor of the Big Ben discotheque we were dancing, in the corridor and on the stairs connecting it to the upper floor we were kissing each other. On the upper floor, at a second stage music was played to be listened to carefully. In the listening rooom we were getting acquainted with the music from the bands we were less familiar with or whose records were not available locally. After soaking in the music we would return into the boiling grotto to dance the night away. DJ Milan Mlakar knew how to whip up the scene, night after night at the age when rock and roll was still growing up. Same Old Story by Taste would allow last spastic dance before we would join the line to pick up our coats and call it a night only to return the next evening.
Episode 11 220: The electricity powered baby boomers wish to change the world. Grupa 220 was a first Yugoslav rock group that recorded an LP of their own songs. They took their name from the voltage they were pluging their amps and instruments in. In this episode I wish to thank all those glorious kids who composed songs that bellied belief that it is at all possible to compose songs of eternal youth. Yet, it did happen and most of these songs will live long after their composers will not be around anymore. Electrical instruments were kind of novelty at the time I got to this world and were dominating the world by the time I became teenager. First, I tell a story of when I tried playing in a band. Now, that was an experience of unbelivable beauty, possibly decisive in turning me into a life long music fan. The feeling of floating together brought me, together with my friends, somewhere else – there where the life was at its purest. I glimpsed into that beauty by listening my friends rehearse well before that, and was able to emotionally follow their flow as they played. Playing together with them, that was really special. Once I told my listeners that story, I played rock hits that stayed out of time; the most beautiful melodies I could recall to have hear while growing up. My DJing was a sheer gesture of thankfulnes to all those kids floating on the magic carpet of their joint emotions. Long live rock and roll and god save its it’s electric soul!
I hope this picture of myself and Bota (to my left, i.e. to your right) at Džamija approx. 1976, close to our high school, shows how much we were part of the rock culture. Not only it is visible here, it is almost palpable. I sewed the round yellow Woodstock patch onto my jeans jacket myself. The photo was taken by Leo Knežić and we are apparently watching someone playing guitar.
Join the FB page Duga nota.
Finally, I have been invited as a guest DJ to a 20:02 program at the Yammat.fm radio some six months before I have started the Duga nota show. I did, however, already hold a similar approach and have selected some deep cuts from the contemporary rhythm and blues scene. I hope you will enjoy that too as it is one of my favorite playlists:
Here are the MixCloud links to the previous episodes #1 – #10 of the show.